• In my works, food symbolizes materiality and serves as a metaphor for the physical world. By altering the scale—enlarging small...

    < On Waiting, Self and Orchid, 2017, Ink and colour on Korean Paper, 162 x 131 cm >

    In my works, food symbolizes materiality and serves as a metaphor for the physical world. By altering the scale—enlarging small foods and compressing vast landscapes—I create scenes that are both surreal and symbolic of the coexistence of different cultures and generations.The result is a vibrant, dreamlike setting that invites viewers into a utopian world reflecting shared human desires. 

     

     - Haru. K

  • Haru K’s artistic practice reinterprets the traditions of East Asian landscape painting by bridging historical philosophy with contemporary perspectives. In classical East Asian art, landscape painting was not merely an aesthetic pursuit but a means of spiritual cultivation—a visual meditation for scholars and intellectuals. Haru K embraces this legacy while transforming it into a reflection on modern life, questioning how contemporary individuals engage with their surroundings.

     

    A defining element of his work is the exaggerated scale of food, which he renders larger than the landscapes themselves. By doing so, he elevates food from a mere subject to a central motif that symbolizes material existence, cultural identity, and the rhythms of everyday life. This contrast between vast natural scenery and oversized food items challenges traditional hierarchies in painting, emphasizing the sensory and tangible aspects of human experience.

    In addition to these surreal juxtapositions, Haru K introduces Minimi—tiny human figures who interact with the monumental food and landscapes, often in playful and whimsical ways. These miniature characters serve as a metaphor for contemporary individuals navigating an increasingly complex world, finding moments of joy in the repetition of daily life. Through this approach, Haru K expands the conceptual framework of East Asian landscape painting, shifting its focus from philosophical detachment to an active engagement with modern existence.

    Beyond his thematic depth, Haru K’s technical precision reflects a deep reverence for traditional Asian painting techniques. His mastery of delicate brushwork, layering, and color harmonization showcases his profound understanding of both historical and contemporary artistic methodologies.

     

    Embedded within his works is a subtle yet distinct sense of humor—an element that makes his art both thought-provoking and approachable. His landscapes are not solemn or distant but alive with a sense of curiosity and optimism. By blending tradition with innovation, Haru K invites viewers to reconsider the relationship between nature, material culture, and personal experience in today’s world.

  • < A Painting in a Painting, 2024 Ink and colour on paper 170 x 140 cm >
  • A Painting in a Painting: The Narrative of Two Spaces in One Painting Haru K’s work originates from the dialogue...

    < Dream Journey to the Peach Blossom Land (Mongyudowondo)  by An Gyeon, 15th-century >

    A Painting in a Painting: The Narrative of Two Spaces in One Painting 
     

    Haru K’s work originates from the dialogue between two distinct spaces—one rooted in memory, the other in the present. These two different temporal dimensions subtly intertwine within a single composition, creating a continuous yet delicate connection between past and present.

     

    The first layer of this exploration is the painting within a painting, inspired by Dream Journey to the Peach Blossom Land (Mongyudowondo), a renowned 15th-century landscape painting by An Gyeon from the Joseon Dynasty. This reference is deeply connected to the traditional East Asian painting technique known as jeonimosa (傳移摹寫)—a method of learning by copying and reinterpreting old paintings. However, this process is not mere replication; it involves understanding and internalizing the original artist’s intent and spirit. Dream Journey to the Peach Blossom Land was created based on a dream of a scholar wandering through a utopian peach orchard, escaping worldly concerns to enjoy a moment of harmony with friends in an ethereal paradise.

    The second space in Haru K’s painting is the dining table, a representation of everyday life in the present. Within this ordinary setting, the artist reflects on personal memories and fleeting moments of joy. He recalls his childhood home, where a small fig tree stood in the yard, serving as a gathering place for friends after school. There, they would play, share laughter, and dream of the future. Though time has passed, these recollections remain vivid, shaping his perception of nostalgia and companionship.

     

    In his compositions, these two seemingly distinct narratives—one drawn from historical imagination and the other from lived experience—coexist. Despite their different forms, they share common themes: friendship, shared dreams, and the pursuit of happiness. By merging a traditional utopian vision with personal reminiscence, Haru K expands the boundaries of East Asian landscape painting, reinterpreting it as a space where past and present, reality and dream, seamlessly converge.

  • 'Looking at Haru. K’s work for the first time, I was amazed by the unique worlds he conjures. His art,...
    < Painting in a painting, 2019, Ink and colour on Korean Paper, 130x160cm >

    "Looking at Haru. K’s work for the first time, I was amazed by the unique worlds he conjures. His art, reminiscent of a bird’s-eye view of another planet, is created through a distinctive imagination, continuously bringing to life these intricate realms of reverie." ​

     

    - Nanjo Fumio, art historian and former director of the Mori art museum in Tokyo

  • Available to buy

    • Haru K A Painting in a Painting , 2024 Ink and colour on Hanji paper 170 x 140 cm
      Haru K
      A Painting in a Painting , 2024
      Ink and colour on Hanji paper
      170 x 140 cm
    • Haru K Capturing the Landscape, 2018 Ink and colour on paper 72.7 x 91 cm
      Haru K
      Capturing the Landscape, 2018
      Ink and colour on paper
      72.7 x 91 cm
    • Haru K Delcious Landscapes, 2017 Ink and colour on paper 200 x 240cm (2e)
      Haru K
      Delcious Landscapes, 2017
      Ink and colour on paper
      200 x 240cm (2e)
    • Haru K Its BreadBang, 2024 Acrylic gouache on canvas 72.7 x 60 cm
      Haru K
      Its BreadBang, 2024
      Acrylic gouache on canvas
      72.7 x 60 cm
    • Haru K Apple & Window, 2024 Acrylic gouache on canvas 65 x 51 cm
      Haru K
      Apple & Window, 2024
      Acrylic gouache on canvas
      65 x 51 cm
    • Haru K Brewing the Tea, 2024 Acrylic gouache on canvas 72.7 x 50 cm
      Haru K
      Brewing the Tea, 2024
      Acrylic gouache on canvas
      72.7 x 50 cm