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< On Waiting, Self and Orchid, 2017, Ink and colour on Korean Paper, 162 x 131 cm >
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Haru K’s artistic practice reinterprets the traditions of East Asian landscape painting by bridging historical philosophy with contemporary perspectives. In classical East Asian art, landscape painting was not merely an aesthetic pursuit but a means of spiritual cultivation—a visual meditation for scholars and intellectuals. Haru K embraces this legacy while transforming it into a reflection on modern life, questioning how contemporary individuals engage with their surroundings.
A defining element of his work is the exaggerated scale of food, which he renders larger than the landscapes themselves. By doing so, he elevates food from a mere subject to a central motif that symbolizes material existence, cultural identity, and the rhythms of everyday life. This contrast between vast natural scenery and oversized food items challenges traditional hierarchies in painting, emphasizing the sensory and tangible aspects of human experience.
In addition to these surreal juxtapositions, Haru K introduces Minimi—tiny human figures who interact with the monumental food and landscapes, often in playful and whimsical ways. These miniature characters serve as a metaphor for contemporary individuals navigating an increasingly complex world, finding moments of joy in the repetition of daily life. Through this approach, Haru K expands the conceptual framework of East Asian landscape painting, shifting its focus from philosophical detachment to an active engagement with modern existence.
Beyond his thematic depth, Haru K’s technical precision reflects a deep reverence for traditional Asian painting techniques. His mastery of delicate brushwork, layering, and color harmonization showcases his profound understanding of both historical and contemporary artistic methodologies.
Embedded within his works is a subtle yet distinct sense of humor—an element that makes his art both thought-provoking and approachable. His landscapes are not solemn or distant but alive with a sense of curiosity and optimism. By blending tradition with innovation, Haru K invites viewers to reconsider the relationship between nature, material culture, and personal experience in today’s world.
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< A Painting in a Painting, 2024 Ink and colour on paper 170 x 140 cm >
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< Dream Journey to the Peach Blossom Land (Mongyudowondo) by An Gyeon, 15th-century >
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Available to buy